Just as dramatically as their restless disposition morphed their sound to a binary-driven direction for their last work, now Gnod strip their electronic setup to a viscous attack, as redolent of the primal punishment of early Swans, as the angularity of prime Public Image Ltd, yet shot through with a mercurial power and fiery intensity that could come from no-one else. The opening title-cut of Mirror seethes with lithe energy and dubbed-out vitality, whilst elsewhere the eighteen-minute closing.